Date of Award
1987
Document Type
Thesis: Open Access
Degree Name
MA History
Department
History
Committee Chair
Iris H. W. Engstrand, Ph.D., Chair
Committee Member
James R. Moriarty III, Ph.D.
Committee Member
James K. Otte, Ph.D.
Abstract
For a full century the cultural significance of the large stained glass windows at the Villa Montezuma has been misunderstood. Now, with all the expense, effort, and energy expended to restore this beautiful historical house, it is both appropriate and timely to take a closer look at this legacy so that it can be fully appreciated and enjoyed by future generations. To properly understand these windows it is necessary to first take a brief but close look at Jesse Shepard, to understand what kind of man he was in 1887 when he came to San Diego; next to take a brief but close look at the Villa Montezuma, to understand why it was built in that precise manner and why Jesse Shepard gave it that name; then to take a brief but close look at each individual large window, to understand what the person or subject meant to him, and why he chose to include them in his home. It is also appropriate, whenever possible, to let Jesse Shepard speak for himself, to explain his life, his home, and his windows in his own words.
Copyright
Copyright held by the author
Digital USD Citation
Zinko, Marit Velma, "Culture in Vivid Color: The Villa Montezuma Windows" (1987). Theses. 92.
https://digital.sandiego.edu/theses/92